Everyone has a price. I truly believe that.
Except the price isn’t always money. It’s just a damn sight simpler when it is.
Well, while not quite everyone in Caz Frear’s third novel featuring DC Cat Kinsella, Shed No Tears, can be seen to be on the take, certainly a large percentage of the characters are either corrupt themselves or in the business of corrupting other people. The question is how do you tell the difference between the two.
When Holly Kemp’s body is found in a ditch in Cambridgeshire the discovery reopens a case that the Met thought they had put to bed six years previously. Holly had been assumed to be the fourth and final victim of Christopher Masters in what was known as The Roommate Case. However, while the bodies of the other three victims were recovered at the time, Holly’s body had remained missing. Masters himself, now dead, having been killed in prison, vacillated between claiming her murder as one of his and denying any knowledge of it. The discovery of the body only adds to the confusion as there are very obvious differences between Holly and the other three women, most particularly, while the latter were strangled, Holly has been shot through the head.
When Cat and her partner, DS Luigi Parnell, report back to DCI Kate Steele it is to find that she has made contact with DCI Tessa Dyer, a highflying contemporary of Steele and tipped for great things. Dyer was the SIO on the original case and hers was the decision to go ahead and charge Masters with Holly’s death despite there being no body. Still, apparently, convinced that Holly was Masters’ fourth victim, Dyer reminds the team of the rock solid evidence given by a teacher, Serena Bailey, which placed Holly on the killer’s doorstep at the very time she was known to have disappeared. Re-interviewed, Bailey still insists that she saw Holly on the afternoon that she vanished, but something about her evidence doesn’t ring true to Cat and thus begins the unwinding of the case that made Dyer’s name and provided the foundation for her subsequent career.
Meanwhile, Cat has her own difficulties to face. Daughter of a man who has a more than shady background himself and who is still associated with people that it is better Cat’s colleagues and superiors know nothing about, she does all that she can to keep her family at arm’s-length. However, when her father is taken into hospital with a broken arm which he claims to have been the result of an accident with a beer barrel, her more practiced eye recognises the beating he’s been given and she is forced to question just what he may have become involved in and consequently where her duty lies, especially, knowing as she does, that he is paying the price demanded in return for Cat herself being left alone. Coupling this with the news that her brother, Noel, always a thorn in her side, has been released from prison in Spain and is likely to be returning to London, the offer her boyfriend, Aidan, has had of a twenty-two month contract in New York suddenly seems a rather more tempting proposition than had previously been the case. Cat and Aidan seem to be the ideal couple, but their relationship is not without its own difficulties. Unbeknownst to Aidan, Cat’s father was peripherally involved in the murder of Maryanne, Aidan’s sister and Cat is terrified of what revealing that knowledge to him would unleash. Moving to New York would remove her from the immediate threats her family poses but would also mean leaving the job that she loves. What should she do?
Caz Frear is one of a number of up-and-coming women crime writers who are making a real mark on the scene. I have read both of her previous books with pleasure and this did not disappoint in any way at all. Because of the complicated family history involved, if you haven’t read the earlier books, Sweet Little Lies and Stone Cold Heart, then I would suggest you start there before allowing yourself the pleasure of reading this, the latest in what I hope is going to be a long running series.
With thanks to Bonnier Books UK and NetGalley for the review copy.